News

01/01/2012 Teaser Track from New Album!

Happy New Year! Musicbyaiw.com now streams an mp3 of "Magnolia," one of eleven tracks that will be featured on our new record, People Calling. It should play automatically when you reach any page. My site-wide mp3 player is located at the bottom of every page. "Magnolia" is a ballad I wrote in late May 2011. It is one of four tracks that feature the full quintet: 

Dudley Owens, tenor sax
Justin Stanton, trumpet
Willerm Delisfort, piano
Aaron Immanuel Wright, double bass
Clif Wallace, drums


12/20/2011 New CD in its Final Production Stages!

My new record with Dudley Owens, People Calling, is in its final stages of production. After several mixing sessions with engineer Sean Kelly on Water Music's Neve 8088, the record is now being mastered by acoustic music expert Billy Oskay at Big Red Studio in Oregon. Watch out people!

10/24/2011 Owens-Wright Record Coming Soon!

Saxophonist Dudley Owens and I just finished two intense days of recording at Water Music in Hoboken, NJ. After weeks of writing, brainstorming, singing-out ideas, playing, and making phone calls, we put together one of the best bands possible and finished the tracking process of a new and exciting jazz record.

Dudley Owens, tenor and soprano saxes
Justin Stanton, trumpet
Willerm Delisfort, piano
Aaron Immanuel Wright, double bass
Clif Wallace, drums
 

10/18/2011 Offoffoff.com Review

Genna Baroni's Ragerian's Triptych Vignettes was given a lot of positive attention in this review by Quinn Batson for Offoffoff.com. I worked closely with Miss Baroni to produce the "score" for this three-movement dance piece.

"...Genna Baroni is fascinating to watch, though, because there is no telling what she will do next, and what she does next is often absurdly beautiful or beautifully absurd. Her solo Ragerian's Triptych Vignettes, apparently her first ever, is masterful and engaging, and it suffers none of the usual pitfalls of solos. The length feels just right, and the ending is toyed with, titillating the audience, rather than the opposite, in which an audience keeps wishing the piece will end and it doesn't. Baroni picks three themes or inspirations and runs with them in three sections, making it look as if this is easy. And the soundtrack works really well with the movement. Bravo. From the title, and from Baroni's descriptions of her inspirations, there is a lot of brainwork involved in making this solo. This often leads to impenetrable messes, but here it only makes things more interesting. There is a neurotic detective inspiring the first section, for instance, and the hesitancy and paranoia Baroni puts into her body is hilarious. The second section is far more active, a nice break for us and a workout for Baroni, who often puts her body through double moves in the air like something from Gallim or gaga. And the third feels much like the first, with a simple walking-off ending, after several false starts, breaking the tension..."


10/06/2011 Saturday 10/08 kerPlunk at City Center

This upcoming Saturday, October 8, kerPlunk dance company is performing at City Center. The program inculdes Genna Baroni's Ragerian's Triptych Vignettes, a dance piece I produced music for.

New York City Center Studios, Studio 4
7:30 PM
General Admission $15, Students/Seniors $12

07/03/2011 Sade and I are Married!


Sade and I just got married June 25, 2011 at Hotel Giraffe in Manhattan!
 
Thanks to everyone who came out for our wedding ceremony, especially to those who travelled from other states and countries to be there for us.
I'd also like to thank the quartet of great Brooklyn musicians I put together especially for the wedding:
Ian Rapian, tenor sax
Justin Stanton, piano
Anne Lieberwirth, bass
Chris Lammers, drums
They really helped make it a unique and spritual experience for us. I wrote incidental music and ceremony music for the wedding. And of course I sat in with the band and played while waiting for my bride to come out!
 





























If you missed it, don't worry, our wedding will be featured on a major cable TV network in Spring 2012....

10/25/2010 Eleven Daughters Reviewed in Cadence

Eleven Daughters is a nice modern mainstream set, with just the right touch of funk and dissonance to recall some mid-1960s Jackie McLean to my ears. The leader plays with the kind of agile muscularity of, say, Michael Formanek and he pairs really well with Menendez, who crackles throughout. Grant and Willcox are both fairly brooding presences, though that’s not at all meant as a negative. Together, the group contains a winning assemblage of contrasts.

Click here to read the full review by Jason Bivins.

04/03/2010 Jazzweek Top 200 Airplay

 Eleven Daughters is 169 this week on Jazzweek's Radio Report.

03/29/2010 Jazzweek Top 200 Airplay: Past 3 Weeks

week of: Jazzweek Top 200 #
3/29/2010 173 AARON IMMANUEL WRIGHT Eleven Daughters (Origin)
3/22/2010 175 AARON IMMANUEL WRIGHT Eleven Daughters (Origin)
3/15/2010 136 AARON IMMANUEL WRIGHT Eleven Daughters (Origin)

03/22/2010 New CD Review

"Bassist Aaron Immanuel Wright's debut CD indicate a cool rendering where music is demanding, melodic and confrontational, alternating competitive dissonance with translucence. Wright's bass lines are direct with a heavy distinct convulsive sound, learned from playing in many different environments, and with a degree in philosophy and music, performing and composing among the best jazz musicians in the world. Accompanied by mentor, educator and pianist Darrell Grant, talented saxophonist Tim Willcox and drummer Brian Menendez. Without question, the Aaron Immanuel Wright's quartet proves again that exciting jazz music arises from the Pacific Northwest. Well traveled musicians from all over the jazz scene who settled in Portland, Oregon to create wonderful ideas, to practice, play and teach their art. Jazz artists, as Aaron Immanuel Wright are from a different stripe, where music is integral to existence."

-Dick Crocket, Bopndick's Top 10 Picks March 2010, "The Voice" 88.7FM Sacramento 

Click here for the .pdf of this review.

03/15/2010 Japanese Review

Can you read Japanese? Here is a review of Eleven Daughters in Japanese.

03/08/2010 All Music Guide Review

Adam Greenberg's review of Eleven Daughters on All Music Guide was recently published online.

03/01/20 Jazzweek Top 200 Airplay: Past 3 Weeks

week of: Jazzweek Top 200 #
3/29/2010 155 AARON IMMANUEL WRIGHT Eleven Daughters (Origin)
3/22/2010 119 AARON IMMANUEL WRIGHT Eleven Daughters (Origin)
3/15/2010 146 AARON IMMANUEL WRIGHT Eleven Daughters (Origin)

02/08/2010 Jazzweek Top 200 Airplay

 Eleven Daughters moved up to 134 this week on Jazzweek's Radio Report.

02/01/2010 Jazzweek Top 200 Airplay

 Aaron's Eleven Daughters made 174 this week on Jazzweek's Radio Report.

01/22/2010 Music "Button" on WBEZ 91.5 Chicago

Aaron's bass intro to "Something Mainstream," from the new album, Eleven Daughters, was used as a button at the tail end of  today's Eight Forty-Eight, on WBEZ 91.5 radio in Chicago. The program runs Monday through Thursday at 9am and 8pm, and Friday at 9am.


01/19/2010 Debut Album Released: Eleven Daughters

New York-based bassist and composer Aaron Immanuel Wright's dynamic debut recording features the lyrical piano work of Darrell Grant, along with his fellow Portlander on saxophone Tim Wilcox, and the Philadelphia-bred drummer Brian Menendez. Wright penned, or co-wrote all of the music, and arranged the standard "Laura." From the opening bass line of "Something Mainstream," it's clear Wright has ideas that quickly move beyond the mainstream as the band explores his compositions in a truly modern vein. The lush arco tones of Wright's bass, blend with Grant's sensitive piano work on the title track, and the searching melody of "Late Goodbye" has an inspired European jazz aesthetic. On "Eleven Daughters," Wright carries on the tradition of the great jazz bassists - Mingus, Holland, Gress, Formanek - who have a very natural knack of crafting superlative and nuanced ensemble recordings.

06/23/2009 Origin Records wins Label of the Year!

SEATTLE'S ORIGIN RECORDS NAMED JAZZWEEK'S 2009 “LABEL OF THE YEAR”  

“...Origin and OA2 are putting out some of the finest jazz today." Linda Yohn - WEMU, Ypsilanti, MI

“What can I say? The music coming out of Seattle is astounding!" Peter Kuller - Adelaide, Australia

07/29/2008 Electric Renaissance MP3 Now Available!

 Visit the secret electric eggs page to download Electric Renaissance


7/23/2008 New Large Ensemble Work

Electric Renaissance was recorded on Friday, July 18 at Chessvolt Studios in Van Nuys, CA. It is one of my larger-ensemble fusion works, featuring several wind players, including a cimbasso (a rare low brass instrument). We have a little more post production work to do on the track, then I will post the mp3. Check back in for updates.

Wind instrumentation for Electric Renaissance:
Trumpet in C
Flugelhorn
Two tenor saxes
Three bass trombones
Cimbasso in F

03/17/2008 Mike Koizumi's "Joust"

 Storyboard artist Mike Koizumi just posted "Joust" on Youtube.com. It's a storyboard animatic featuring a musical score by A.I. Wright. 

© Aaron Immanuel Wright 2010. All rights reserved.